Home

The sculpture depicts a male figure. It seems to me that he may be playing the violin. But everyone can have their own individual interpretation of what the sculpture represents.

I bought the bag in Paris. According to the salesperson, it was designed for Christian Dior's fashion show in 1950.

The sculpture was welded from steel sheets, making it a unique product. It is covered with a beautiful irregular texture that breaks up the raw forms, giving them a certain lightness and shimmer.

I can therefore confidently conclude that the sculpture depicts a centaur shooting a bow and is a representation of the zodiac sign Sagittarius, as evidenced by the inscription at the bottom.

 It is also important to note that they are not intended for display. A young man should carry them with him. Despite their prevalence, such items are rarely offered for sale.

Sure, it doesn't have much artistic value, but I'm posting it as a curiosity to show how different tasks are sometimes set for sculptures.

The sculpture of Mizaru, which is the name of the monkey covering its eyes, is made of stone, probably a type of quartzite. It is heavy, and its grainy structure is clearly visible.

Passport masks are usually representations of the human face, whereby the individual facial features of the owner are irrelevant. Sometimes these masks only reflect gender. In short, a mask is the spirit of an ancestor or, more often, ancestors.

He is worshipped in various forms throughout Asia, and his character is embodied in folk culture and even in contemporary pop culture. This depiction of Hanuman, which differs somewhat from traditional iconography, probably originates from folk beliefs.

The box is unique. With a perfectly composed scene decorating its lid. It intrigues and refers to the best traditions of Zakopane through the artistic means of expression used. Cubism, geometry of planes, use of chiaroscuro, clarity of a closed composition. 

In his work, Szubski was above all unpretentious. The series "Faces" was created over a period of 10 years. He portrayed local residents, friends, distinctive faces, and human types. He worked using his own techniques, mixing metal, wood, fabric, paint, acrylic, and resin. He had a detached attitude toward his own art. He did not shy away from the grotesque or humor.

 He did not neglect his own creative work and began to enjoy considerable success. While still

in Czechoslovakia, he received an invitation to the Biennial in São Paulo, and in 1975, the Guggenheim Museum organized an exhibition of his works. He did not return to Prague until 1997, with a large artistic output and the aura of an oppositionist.